Rick Fletcher Biography

Rick Fletcher was born in Burlington, Iowa on June 1, 1916 to William and Maude Fletcher. He was the second of four children: Russell, Richard, Martha and Edward. At an early age, Rick had a keen interest with drawing. Encouraged by his mother, he drew every day and studied art and anatomy books from the local library teaching him perspective, composition, color and technique. Frequently asked how he learned his art skills, “I say that I go to art school at the library.”

After graduating from Burlington High School with the class of 1934, Rick and his family moved to Galesburg, Illinois where his father worked for the Chicago, Burlington & Quincy Railroad as a fireman on the steamers and later as an engineer on the stainless steel Burlington Zephyr; his mother was a happy homemaker that loved to raise her family and cook wonderful meals including Eggplant Parmesan, Ricks favorite home cooked meal.

Ricks career growth in 1935 was quite remarkable. In March, an 18 year old Rick and his younger sister Martha started a small business. Rick would design and draw paper dolls and Martha would sell them at school to her friends. His diary entry said “ Made twenty six cents ”. Rick also entered the Knox Laundry Anagram contest, winning three tickets to the Galesburg Illinois Orpheum Theater. The following week he used his little brother Eds name and won first place again. The third week he entered with a neighbor girls name and won again. Another quote from his diary said; “The president of Knox Laundry asked the girls’ sister if ‘Rick Fletcher didn’t do the drawing’.

“My reputation is getting out ”

On May 2nd 1935 Rick won a twenty-two dollar Mixmaster food mixer in the Doyle’s Furniture Store contest, this boosted his confidence. He gave the food mixer to his mother, Maude, for her help and support with starting his art career.

September 26th 1935 Rick wrote to a longtime friend, Joe Weber, who was working as a photographer at the new Tri City Star newspaper in Davenport, Iowa, asking about the possibility of a job in the art department. Mr. Hinkle, the publisher, liked Ricks work and hired him for fifteen dollars a week starting October 3rd 1935. Rick soon moved to Davenport, Iowa to become a one man art department, within a week he complained in his diary “work is coming in too fast to get any quality” but decided “composition is what puts the drawing over”. Rick went to the Davenport Library for more studying. Rick worked at the Tri City Star for two years after which he found a more desirable position at the Rudy A. Moritz Advertising Agency in Davenport Iowa. Rick was hired as the Art Director allowing him more time to produce a higher quality art; producing ads and campaigns for national accounts.

Ricks final entry in his 1935 Art Diary summed up the enthusiasm for his career. “This has certainly been some swell year, all because of my artwork. My first big cash in was the Mixmaster food mixer that I won and gave my mother, and then the big achievement which was the job at The Tri City Star. My greatest help has been from Joe Weber and Mr. Hinkle, the Publisher of the Star and the Beacon Publishing Company…I can consider 1935 as a year I was launched in my career, which I hope will reap me rich rewards and fame in the future, it really was an eventful year.”

In 1942, Rick’s art career was interrupted by World War II. He went to Camp Dodge, Iowa on September 29th1942, then on to Officer Candidate School at Fort Belvoir, Virginia. He was commissioned in the Corp of Engineers, April, 1943 and Assigned as a First Lieutenant S-1 Adjutant to 308th Engineer Combat Battalion with the 83rd infantry Division. Rick went through five European military campaigns from D-Day +10 at Omaha Beach, the Battle of Normandy through the hedgerows zigzagging across France, Luxembourg, Germany, into Belgium and Holland, where he fought in the Battle of the Bulge. He raced through the German Wehrmacht into Germany along with his 83rd Infantry Division when General Eisenhower ordered the Army to stop- Rick was in Zerbst, Germany just beyond the Elbe River approximately eighty-eight miles from the bunker where Hitler was hiding in Berlin. Two weeks later Hitler committed suicide in the bunker when the Russian Army invaded Berlin from the eastern front. Rick was assigned many duties during his World War II journey, Coordinating delivery of ammunition, water and shower stations, maps and orders to the front lines; as well as billeting (housing) for commanding officers (where he captured a German officer in one house) At the end of the war until his trip back to the United States he was a Commanding Officer of the Sonndorf Prisoner of War Camp in Germany, another duty was Purchasing and Contracting Officer to build camps for Displaced Persons and Prisoners of War, plus assignments as a Trial Judge Advocate. During his military duty in Europe, Rick received the Bronze Star Medal for distinguishing himself by meritorious service in connection with military operations against an enemy of the United States. Aside from his regular duties in the U.S. Army, Rick hand lettered signs and painted vehicles. He passed time by drawing caricatures of himself expressing his moods in his letters home. Ricks methods of drawing with paper and pen became increasingly difficult as many supplies were scarce while overseas. Rick frequently relied on his 35mm Leica camera to produce quick convenient photographs throughout Europe; he took images of citizens, soldiers and landscapes, eventually making a photo scrapbook and a watercolor painting of Belgium peasants he had photographed from his jeep. Rick arrived home from Europe on January 1st, 1946. He was separated from service as a Captain on February 27th 1946. His name is inscribed in the Book of Honor at the Court of Patriots - Rock Island Arsenal Museum, located on the same property as the National Cemetery in Rock Island, Illinois where he is currently buried along with his wife Beverly.

After the war, Rick was offered a job at two locations, the Chicago Tribune and a local Chicago engraving studio. In a diary entry Rick decided to choose the Tribune because “I just liked walking down Michigan Avenue and going into the Tribune Tower, which has quite a mystique in Chicago”. Rick joined the advertising art department in April 1946 handling illustrations and cartooning. Rick studied for several years under personal supervision of Carey Orr, Pulitzer Prize winning Chief Editorial Cartoonist; learning advanced comic strip technique. Carey Orr taught many illustrators, including (then high school student) Walt Disney in 1917. Tribune colleagues took notice of Rick’s work which showed quality and versatility. While he worked in the advertising department Rick continued to pursue opportunities in illustration by submitting original samples of his collaborative work to editors at the Chicago Tribune. “The Old Glory Story” was Rick’s first weekly syndicated full color adventure story strip starting on February 15, 1953. Brilliantly created, written and researched by Athena Robbins, This timely multi award-winning story strip guided readers through the history of the American Flag. The unique aspect of The Old Glory Story was the attention to detail with all the stories, flags, people, uniforms, weapons and transportation which were illustrated and produced with historical accuracy then reproduced in full color every week until April 17, 1966.
Here is a complete list of weekly Stories:

The Old Glory Story 2-15-1953 – 9-25-1955

Daniel Boone 10-2-1955 – 1-8-1956

George Rogers Clark 1-15-1956 – 4-29-1956

John Sevier 5-6-1956 – 8-19-1956

Captain Robert Gray 8-26-1956 – 11-18-1956

Mad Anthony Wayne 11-25-1956 – 2-17-1957

Lewis and Clark 2-24-1957 – 7-7-1957

Zebulon Pike 7-14-1957 – 10-6-1957

Stephen Decatur 10-13-1957 – 1-5-1957

William Henry Harrison 1-12-1958 – 4-6-1958

Andrew Jackson 4-13-1958 – 8-24-1958

Defense of Baltimore 8-31-1958 – 11-23-1958

Stephen F Austin 11-30-1958 – 2-22-1959

Astorians of Oregon 3-1-1959 – 5-24-1959

Lewis Cass 5-31-1959 – 8-23-1959

Jed Smith 8-30-1959 – 12-13-1959

Dewitt Clinton 12-20-1959 – 3-13-1960

Sam Houston 3-20-1960 – 6-12-1960

Great Western Migration 6-19-1960 – 9-11-1960

Kit Carson 9-18-1960 – 12-25-1960

Old Glory at the Crossroads 1-1-1961 – 6-6-1965

Frontier Adventures 6-13-1965 – 4-17-1966

Meanwhile, back in 1961, while working on Old Glory at the Crossroads, an opportunity arose from another artist at the Chicago Tribune. Chester Gould, the creator of Dick Tracy, had a position open when his young assistant Dick Locher had to resign. . Rick was thrilled with the opportunity to illustrate another world class Strip. His duties included penciling panels, illustration, inking backgrounds, advertising composition and layout, as well as developing story lines. During the spring of 1962 Gould hired Rick on a full-time basis to be part of the Dick Tracy production team which at the time included Chester Gould’s brother, Ray for lettering; Jack Ryan for production art and Chicago Police Detective Al Valenis for police related research.

Rick concurrently worked on The Old Glory Story and Dick Tracy from 1961 until the last Old Glory strip finished April 17, 1966. Rick performed on Chester Gould’s Dick Tracy comic strip production team continuously for 16 years, learning Gould’s unique noir drawing and story style Rick called “Gouldism”. This experience and an already award-winning illustration career led Tribune executives and Chester Gould to unanimously agree to have Rick Fletcher take over production of Dick Tracy when Gould retired on December 25, 1977.

Working with a young new writer, Max Allen Collins, Rick began flexing his abilities by equipping Tracy with state of the art equipment: a nickel plated Colt Trooper MKIII .357 magnum revolver with illuminated night-sights and the famous 2-way wrist TV (which Rick created with his younger brother Ed in 1963 at a family Christmas party) Rick illustrated the Dick Tracy comic strip for five productive years, always researching the latest technologies, current trends in popular culture and the opinions of his fans. Rick utilized proper law enforcement techniques and procedures learned from several of his friends in law enforcement: from the Dakota County Minnesota Sheriff’s Office, Julio Santiago, other friends working at the Federal Bureau of Investigation and his old friend Al Valenis from the Chicago Police Department. Contributing time and talent to his local community in Woodstock, Illinois, Rick produced several illustrations for fund raising auctions, as well as personal cards for friends in the hospital. On several occasions Rick would acknowledge friends and family by using their name or likeness hidden somewhere in the background of the story panels, then gave them the original art as a gift.

Rick Fletcher was employed with the Chicago Tribune from early 1946 until cancer took his life on March 16th, 1983. Described as the “world’s greatest artist of guns, hardware and machinery in the history of comic strips” and having readers around the globe.